If you are looking for the best mics for nasal voice, then this article is for you.
In this article I will be showing you
- The top 5 best mics for nasal voice
- The pros and cons of each microphone
- Tips to ensure that you get the best bang for your buck
- Frequently asked questions from past users
- And so much more
If you frequently record vocals, you’d stumble upon someone whose voice has some nasal quality.
A voice with nasal quality would require EQing work.
However, selecting a flat-response mic will give very good performance and equally help to eliminate less favorable sounds.
You must stay away from mics that have built-in presence peaks in their response curves as they will boost those bark-like sounds.
So, how do you choose a mic for recording a nasal voice?
While there are no microphones that can turn nasal voices into angelic voices, a few types of mics aren’t suited for recording.
Some factors can make a studio mic to warm up and smoothen out the voice while still retaining the clarity.
Related: Check out my comprehensive guide on the best microphones
We have provided in this article, the best nasal voice mics in the market.
These are suitable for voice-overs, singing, and podcast.
5 Best Mics for Nasal Voice
1. Rode NT1 Microphones
While the Rode NT1 is a cost-effective studio mic, it has constantly been rated as a great mic with superb quality.
The NT1 comes with a natural warmth and rich sound that can easily round out a voice that is naturally high and with undesirable frequencies.
The Rode NT1 offers a complete frequency response of 20 Hertz to 20 kiloHertz as it maintains an unbelievably low self-noises of 4.5dB.
It comes with a hand made big-diaphragm condenser capsule that is enhanced to generate a flat sound.
The mic comes in a sturdy aluminum chassis quality to ensure durability.
- It works well for voice recording, amplifiers and for recording acoustic instruments
- It comes with Internal suspension that assists to minimize unnecessary ambiances
- It features a hand-made HF6 large-sized diaphragm condenser capsule
- It’s extremely quiet with just 4.5dB of self-noise
- The box comes with a pop screen and shock mount accessories.
2. Shure SM27-LC Microphone
The Shure SM27-LC is equally a condense mic with a big diaphragm.
It efficiently clears up a nasal voice at affordable pricing.
It is specifically designed for all types of vocal applications.
This microphone comes with a rich sound and an unbelievable off-axis rebuff.
This Shure mic is great for nasal voices due to its flat frequency response.
It helps in the smoothening out of the voice as you record and equally in EQ’d.
The microphone only records frequency bump at the “airy” frequencies which will assist anybody that sings nasally.
The SM27-LC comes with three different mesh layers that assist to minimize wind and inhalation voice.
The mic equally comes with an extremely high SPL for the brassiest singers and musical instruments.
Singers with nasal voices found that the nearness effect of the SM27-LC hums nicely when the sound is very close to the microphone.
This helps to ensure a smoother voice and equally makes the sound more conspicuous.
The mic is produced with solid metal and this ensures improved durability.
The pack comes with accessories like a microphone pouch and stand mount.
- It features a neutral frequency response that assists to smoothen out a nasal voice. It equally comes with a three-position adjustable low-frequency filter
- With this mic, you get a low Cut Filter range of 80 Hertz (-18dB/octave), to 115 Hertz (-6dB/octave)
- Includes -15dB pads
- An excellent option for off-axis rejection
- Unbelievable transient response
- 3 mesh layers assist to minimize breathing noise/wind
Related: Here is an article I wrote showing you the 5 best microphones for deep male voices
3. MXL GENESIS Flagship Microphone
The MXL GENESIS Flagship a popular mic in the contemporary rap, hip hop, and indie kingdom.
It comes in classic tube warmth, brightness, and lively sound.
It comes with a great amount of detail that will amaze you.
It can pick up a great amount of voice detail and at the same time smooth’s out the unnecessary high-end sound.
It comes with amazing features that make it underpriced.
You can get a frequency response range of 20Hz to 20 kilo Hertz.
The tube condenser mic creates a precise sound with a sparkle of warmth out of the tube.
The MXL GENESIS is a great mic for a nasal voice.
However, it can equally work for any type of vocal.
The pack comes with accessories that include the Mogami cable, shock mount, power supply, and the customized pop filter and the High Pass Filter rating is 6 dB/octave at 150 Hertz.
4. CAD Audio Equitek E100S
The CAD Audio Equitek E100s mic produces a warm and yet a vintage sound and features a big super-cardioid diaphragm.
It comes with a very low self-noise and an outstanding protracted low-frequency response.
The sound produced by the mic can compare to the sound produced by more expensive options.
The upper frequencies come with a flat response with a tip-off of additional air in the upper frequencies.
This ensures you get a sufficiently clear voice without amplifying the nasal sound.
This microphone gets extremely hot and requires enough amount of phantom power (48V).
The mic is produced in the US and comes with a 10dB pad and a high-pass filter of 80 Hertz.
You will equally get a long drawn low-frequency response and exceedingly low self-noise.
The mic equally features an 80 Hertz Hi-Pass and an Attenuator of 10dB.
When you are on the go, the integrated Vintage woodgrain cherry carrying case comes in handy.
The pack equally contains a shock mount.
5. AEA R84 Ribbon Microphone
Typically, the AEA R84 Ribbon is an outstanding mic for nasal singers.
It generates very smooth and uniquely sounding audio that is referred to as “dark, warm, and smooth” even as it still maintains the standard mic features. ”
Nonetheless, this lower mid-dark vocal surely minimizes a great deal of a nasal singing voice.
As soon as you record the vocals, you may then readily adjust the sound with EQ and compression to show which one is your best-preferred EQ.
When generated, the AEA R84 Ribbon will be regulated with a much lower frequency compared to a good number of microphones.
It would be set to 16. 5 Hertz tension which normally allows it to resonate beyond the linear frequency.
Therefore, a nasal tone is going to be smoothened.
With all the AEA R84 Ribbon is usually omnidirectional and may grab noise close to the microphone, ensure you sing close to it.
If you are located very far from the omnidirectional microphone, you may catch a good amount of room.
A soundproof vocal room would give you what you want.
The accessories included in the pack a carrying case, a cable of 10-foot length, and a shock mount.
Here is an article I wrote showing you the 5 best microphones for female vocals live