by Uche Ibe | Nov 13, 2020 | Chorus Pedals
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If you are looking for the Best Chorus Pedals for Synthesizers, then you should read this article to the end.
While the majority of reverberation pedals were originally structured for guitars, many keyboards utilize them to broaden the instrument’s sound abilities.
You can utilize effects like Reverb, Overdrive, Distortion, Chorus, Delay, and Phaser with your electric or analog synth.
They can inspire you to create new sounds.
Related: Here is an article I wrote showing you the best chorus pedals in the market today
Why Use Reverb Pedals with Synthesizers
Standard analog synth designs do not come with effects, and even the most contemporary synth that come with the feature merely have the most rudimentary effects.
This is good because it’s not a synth, but it’s hard to imagine an analog synth pack that would come with an integrated full analog delay in a compressed pack.
The old synthesizer had a spring sound, but it was huge, heavy and very expensive.
The best modern synthesizers have built-in digital effects that are rated by users.
But for now, there’s nothing better than the sound range and multitasking you can get from a standalone drive module connected to a keyboard.
The first compact drive pedals were developed for guitars, but the keyboard played an important role from the start.
Keyboards today rely on guitar pedals!
Experimenting with different keyboard pedals can bring fresh ideas, sounds and much more fun in your studio.
Another great thing about using accelerators is that even if you have a cheap and boring keyboard, you can almost magically generate fresh and interesting sounds.
Because the effect of Leslie’s rotating speaker always retains the preferred effect on guitars and keyboards, Electro-Harmonix has developed a new pedal that perfectly reproduces Leslie’s sound and can be utilized with guitar and keyboards.
Another type of effect that has been widely used on keyboards since the 60s is delay and reverberation effect.
One of the best examples is Richard Wright who integrates a delay pad over his keyboard.
Extending the sound of a synth with an effect pedal can be full of fun, but it can also be a bit tricky.
Most of these are primarily intended for use with electric guitars, so clipping can occur when passing line levels through some pedals.
Using a synthesizer with stereo output will give you even less choice.
The stereo arm input is not a particularly standard feature.
However, there are certainly a few good alternatives, and here are some classic combinations and their own suggestions.
Related: Check out this article I wrote showing you the 5 best chorus pedals for Rhodes
Where Should the Accelerator Pedal be Placed? On the Floor or Next to the Keyboard?
There is no limit to what you can do by connecting your keyboard to multiple accelerators!
The only thing to remember when playing live is if you are using the floor effect as a guitar, board style, or sitting on a keyboard.
If you use the volume or wow pedal, you will of course put it on the floor.
Even if you don’t plan to change it live when using the effect.
You can click the effect to turn it on or off and leave it on the floor.
Many professionals use synthesizers with accelerator pedals for live performances.
But one of the coolest things about using guitar effects with your keyboard is that you can customize them as part of your performance while playing!
If you have a good set of effects to use with your synthesizer, depending on your plan of use, you can find some on the floor and some near the keyboard.
We’ve provided you with 5 of the best stomp boxes to use with your keyboard or synthesizer.
It doesn’t matter whether you use a good analog synthesizer or an inexpensive home keyboard, these pedals can help expand your sound palette and create new sounds and music!
5 Best Chorus Pedals for Synthesizers
1. ProCo 2 Rat Pedal
Pro-co RAT 2 Pedal
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0.8Kg,73×103.2×79.4 mm
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■Power: 9V battery or 9VAC adapter (mini plug type)■Battery Capacity: 3.0 mA / 160 hours
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■Input impedance: 1 M ohm ■input referred noise: -110 dB■Output impedance: 1 K ohm
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■Max Gain: 60 dB■filter: 6 dB / octave low-pass
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This Proco Rat pedal is a distortion/fuzz/overdrive pedal that provides some bass and power to the bass and lead sounds, especially on analog synthesizers.
With the filter control you can get rid of unwanted quality sizzling and get a very affordable beef.
Old school Acid House music fans will recognize this pedal, which is commonly found at the end of the Roland TB-303 bass synthesizer/sequence, which pushes the squeeze lead sound to the limit of the screaming sound.
This pedal is also widely used for industrial rock. a la Nine Inch Nails. “.
Unfortunately this is only mono, so you have to reset or delay the audio to stereo.
2. Digitech Polar La
Digitech EQ Effects Pedal, REGULAR (POLARA)
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Reverb Types: ROOM, PLATE, REVERSE, MODULATED, HALO, HALL, SPRING
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Compact Size with Soft Click, Vacuum-Style Footswitch
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True Stereo I/O, True Bypass circuitry preserves your tone in bypass
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High-Voltage operation for uncompromised signal quality
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There are several epic sound recovery pedals that include a synthesizer, Eventide Space and Strymon Big Sky.
Two incredibly powerful devices that are very common, but because of their price, they are sometimes cheaper for many musicians.
In our opinion, Digitech Polara is underestimated.
There are seven pre-contrast algorithms, including a blinking effect called a halo that shifts the octave’s tail into perfect sound.
Trust me. Sounds like a banana in a synthesizer.
Polara also includes stereo I/O in a compact package powered by a standard 9V power supply.
3. Boss RE-20 Space Echo
BOSS Electric Guitar Electronics (RE-20)
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Amazing simulation of the famous Roland RE-201, with the spacious, analog tone of the original Space Echo
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Faithful modeling of the RE-201’s tape flutter and magnetic head sound saturation
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Tap input pedal allows delay time to be set by foot
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Longer delay time than the original RE-201
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Control parameters such as REPEAT RATE, INTENSITY, and more via Expression pe
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Some of us are lucky enough to have real gang cows and the price of the original Roland RE-201 is rubbed, foggy and difficult to maintain.
Fortunately, in 2007, Roland/Boss released the RE-20, a digital simulation of the famous vintage device, which has become a classic for synthesizers and manufacturers in particular.
It has a warm, full-band delay, a simple, self-vibrating recovery, and very precise and accurate pitch movement.
It’s great for voice overviews and everything else.
4. Strymon Ola Chorus/Vibrato
Strymon Ola Chorus/Vibrato
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There are very few stereo choirs right now, but fortunately there are quite a few good ones.
Strymon is known for using state-of-the-art DSP processing power and wrapping it in a traditional pedal to create high-quality vintage effects.
Ola is no exception.
The A/D converter operates at 24-bit 96 kHz for ultra-high definition audio that is indistinguishable from real analog power.
Single and multi-mode add very rich amplitude to the sound through a variety of options and of course stereo I/O.
Strymon equipment is actually quite expensive, as a more economical alternative, check out the Digitech Nautila, which has some unique features.
5. Electro Harmonix SuperEgo + Synth / Multi Chorus
Electro Harmonix Superego Plus Synth Multi FX
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Creates synth effects, sound layers, glissandos, infinite sustain and more
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Four Freeze modes
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Built-in effects section with 11 effect types
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EXP input for effect parameter control
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EXP Presets sweep between snapshots of 7 knob paramete
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It’s hard to describe in words what these cool pedals do: a stop part, a multi-choke part, some synthesizer pedals, and many other pedals.
But one thing is for sure.
It’s really fun. If you are interested in creating soundscapes and surrounding music, this pedal is your best helper.
However, there are many things you can do with this device.
This is far from being traditional and infinitely creative.
Also here is this article on the 5 best chorus pedals for 80’s sound.
by Uche Ibe | Nov 13, 2020 | Chorus Pedals
Hey, This site is reader-supported and we earn commissions if you purchase products from retailers after clicking on a link from our site.
If you are looking for the Best Chorus Pedals for Rhodes, then you should read this article to the end.
Pedals are the most important and popular impact block for guitarists.
Divide the signal into two parts.
Sing one of them and pause.
You can add subtle modulation to your sound or use it in a more radical way for a smarter effect.
It has been gaining popularity since the mid-1970s when the legendary choir of the boss and jazz chorus amplifier hit the world stage.
Chorus is now one of the most important effects a guitar can give and almost every pedal line has at least one.
Related: Here is my comprehensive guide on the best chorus pedal
What is a chorus pedal?
Chorus pedals has modular effects as you’d obtain in tremolo, vibrato, and stage or period changer.
It splits the signal into two, delays one for a few milliseconds, and also offers a suggestion of modulation using a low frequency oscillator or LFO.
You can create a variety of sounds, from subtle drills to almost 12-string guitar shimmers to wild one-Vibe-style monsters.
The 80s chorus pedals were probably the premium choice for choir use, and their sounds helped define most of the music in the hands of great musicians like Andy Summers of the Force.
Rock and metal musicians at that time also participated in the choir, and you can hear typical sounds from numerous recordings of that time.
How efficient is pedal?
It all depends on the type of music you are playing.
In basic music styles like Chicago Blues or Classic Country, you won’t hear as many effects as the basic sounds created before FX blocks were widely used.
But if you’re playing popular music from the 1970’s to the present day, you’ll need to own and understand some basic pedals in order to reproduce the sound you’re copying.
Chorus pedals are one of the most important pedals as they are found in almost all power ballads and slow pop songs.
If you play a variety of music, learn how to make a pedal card and use each component.
Be prepared for every show coming to you.
We hope you have read this basic driving guide and learned what the driving pedals do.
Set it to a low level for smoothness and a high level for a richer, more colorful environment.
If you have a power loop, don’t forget to run it.
As soon as you learn about this effect, you will soon become one of the biggest kids around.
Tell us how you like this article and what type of accelerator pedal you like.
Keep learning and experimenting and you will become a guitar pedal master.
Related: Check out this article I wrote showing you the 5 best chorus pedals for shoegaze
5 Best Chorus Pedals for Rhodes
1. Korg Pandora Mini Personal Multi-Effects Processor
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The accelerator pedal is a multi-shock pedal that works as a multi-shock keypad and is not too expensive.
It comes in an ultra-compact compartment size with multiple effects for guitar and bass.
It also comes with two hundred pre-installed programs (including song presets).
It also has 2-hundred program slots for storing your own sounds.
In addition, consumers can enjoy 158 types of amplifiers and amazing effects.
You can use up to seven effects simultaneously.
The best features of this pedal include 2-hundred presets (for guitar and bass), plus 2-hundred user-available patches and a computer edge live (USB) patch.
It’s powered by battery or USB (or 5V PSU with USB mini).
With this pedal, you have many possibilities (compressor, phaser, drive, reverb, delay, amp and cabinet imitation, and drum patterns).
2. The mid-70s Maestro Stage Phase
MXR EVH90 Phase 90
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Grab a piece of Eddies magic with the MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop
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Instantly toggle between a vintage, Script Logo phase tone and a more modern Block Logo phaser
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EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddies legendary Frankenstein guitar
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Apparently, Bob Moog designed the Maestro Stage Stage in the middle of 70s.
There are large wheels for easy foot adjustment.
I love it because it has presets and variable speed and depth controls, but it moves up and down like Leslie when switching speeds or switching off.
In some cases, it is designed for guitars and can be a bit noisy as there is no real bypass.
You can also connect up to two separate amplifiers to spread even more.
If you are a fan of special effects, you will love this.
Built in the 1970s, this Maestro Stage Phaser is in perfect condition.
There is also a battery cover.
3. Malekko Thicken Multi-Tap Delay / Chorus
Malekko Thicken Multi-Tap Delay / Chorus
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2 multi-tap delay modes
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Chorus rate and depth controls
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Spread volume and width control
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Assignable expression input for any combination of controls and settings
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Preamp cont
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Malecco’s Thicken Multi-Tap Delay and Chorus pedal with Colin Newman come from Wire in a unique design and color inspired by Eastwood Signature Model electric guitars.
THICKEN has two selectable delay modes with separate drives for multiple cranes and a total of 3 delay lines.
Propagation determines the delay time, and the increase in propagation explains the delay exponentially.
With the addition of a pre-amplifier, these controls enable the amazing and intense sound that every serious artist needs.
Two dosing time modes are selected: exponential and random by pressing and holding the button when power is connected.
In random mode, you can use the SPREAD control to choose a smooth or aggressive time transfer.
Malekko Chicken Multi-Tap Delay / Chorus Function: 2 multi-tap Delay Modes Adjust movement speed and depth.
Adjust the volume and spread width.
Assign an assignable representation for each combination of controls and settings.
There are two delay modes for multiple belts, speed control and tracking depth.
You can get the same volume and width control for the spreading material.
The assigned expression input activates any combination of controls and settings.
First of all there is a preamp control.
4. GE-7 Graphic Equalizer Pedal
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The GE-7 Pedal Equalizer offers 7 EQ bands ranging from 100Hz to 6.4kHz suitable for guitar sounds, with +/- 15dB boost/brake for each band.
This gives you complete control over the sound and removes unwanted feedback, especially when connected after distortion.
This is a very useful tool. I think a lot of people who see this on the internet, especially YouTube, are a bit confused about how to apply this.
A common complaint is that this pedal adds noise to the signal.
However, a more effective way to use this pedal is to start a frequency you don’t need and use the flat slider to compensate if you think the overall volume has dropped noticeably.
If the humbucker is too blurry, cut off the low frequencies.
If a single coil is too stiff, roll back 3.2k and slightly 6.4k.
If you want some kind of injection to sound louder, you can add a bit of midrange, but be careful.
Suddenly you realize that you are listening to the sound that was always in your head.
These pedals may not be low on the appeal of some gimmicks, but learning to write the sound you want can play an important role in the signal chain.
This single pedal can produce as many waves as multiple amps.
It sets the tone of a double wing which is good for every room or hall you play.
Make other pedals better like BKButler hose driver or Ibanez hose driver.
5. BOSS Electric Guitar Electronics (RE-201)
BOSS Electric Guitar Electronics (RE-20)
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Amazing simulation of the famous Roland RE-201, with the spacious, analog tone of the original Space Echo
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Faithful modeling of the RE-201’s tape flutter and magnetic head sound saturation
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Tap input pedal allows delay time to be set by foot
-
Longer delay time than the original RE-201
-
Control parameters such as REPEAT RATE, INTENSITY, and more via Expression pe
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The Boss RE-201 electric guitar electronics is the original Space Echo’s extensive analog tone.
It comes with precision modeling of RE-201 tape flutter and magnetic head saturation.
The foot delay time can be adjusted using the input pedal.
It has a longer delay than the original RE-201.
With the expression pedal, you get great control parameters like REPEAT RATE, INTENSITY, etc.
When connected to another pedal, the entire signal flew off the signal we couldn’t rely on regulation.
However, if you connect it to your own power supply instead of a chainsaw with another pedal, it works fine if you connect it to the power loop of the amplifier, which is not the default for another pedal.
If for some reason you hear a completely slippery sound when you step on this pedal like me, try the two steps above to get the most out of this pedal.
There are a lot of lag, but you’ll like this pedal. It goes well with the expression pedal.
The reverb is good, but the best part is DELAYS. It is difficult to live without it.
It depends on the sound you want. You’ll love the strange psycho-rock atmosphere.
Overall, the delay effect is currently the best in the market.
It’s easy to use and the built-in pedal tempo is amazing.
As a delay heavy user of effects, I can say that tempo is the key.
Playing this guy just for no better words sounds hot and vague, and has a lot to do with analog modeling.
This is definitely an advantage.
Simulation setup for multiple tape head positions adds some nice mechanics to the delay effect that most other delays can’t achieve
Also check out this article showing you the 5 best chorus pedals for synthesizers
