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If you are looking for the best chorus pedals for analog synthesizers, then this is the right article for you

The accelerator pedal is back in fashion. And Chase Bliss captured this vibe when they launched the brand behind Warped’s shiny vinyl accelerator pedals. Whether moving to close parts or thickening a rhythmic guitar, the choir has once again become an integral part of many guitar pedal boards.

Selecting the best pedal is a big part of finding a pedal that combines with your creatively trying to achieve timbre and parameters. The choral sound is often “bigger” or “thicker”. In a studio situation, different rotations are used to change guitar sounds, giving the impression of double tracking or staging.

Related: Check out this article that shows you the best chorus pedals for synthesizers in the market

Chorus uses a delay line to split the guitar signal into a dry signal and a redundant wet signal, then the LFO subtly removes the wet part. Then it is mixed with a dry signal. When you increase the mix effect to Full Wet, the chorus usually turns into a vibrato with a much more pronounced blocking effect. However, the difficult detail is that the choir is similar to the flanger in many ways, in addition to the lack of feedback control and long delay lines. Flanger tends to peak at around 25ms, where the chorus takes over. However, this means there is some redundancy. “1979” is not the rich choir of “Walking On The Moon“, but the Electro-Harmonix Electric Mistress Flag.

5 Best Chorus Pedals for Analog Synths

1. Ibanez Chorus Mini

Where many small pedals eventually take the new Boss CE-2 route, the Mini Chorus follows Ibanez’s heavy CS9 track. It is a sweet syrup choir created in the 1980s. However, the level control of this compact version, which has been incorporated recently, is more versatile.

You’ll get a rough approximation of the flange at the other end of the speed button, while almost vibrato vibration occurs at higher angles and speeds. All in all, it is one of the smallest accelerators on the market. It has a standard BBD shade, a small pedal format and produces very little noise when used with amplification.

  • Mini format pedal 100% Analog circuitry Speed, Depth and Level controls True bypass switching Made in Japan
  • The mini-pedal market has been booming the past few years, so Ibanez felt the time was right to offer some of their most legendary pedals in new mini housing! Ibanez is proud to announce the new MINI pedal Family, including the Chorus
  • Made in Japan, the CSMINI features a smaller Depth knob and a significant larger Speed knob in the middle
  • In addition, we’ve added a smaller Level knob for versatility
  • A true bypass switch provides the shortest, most direct signal path as well as the the cleanest tone

2. CE-2W Boss Chorus Pedal

This BOR CHORUS pedal has the highest ratings among the updated analog pedals. It has a typical BBD shade, produces minimal sound and has more features than the main version. However, it’s very nice.

Ask anyone who likes the pleat effect to pick the best accelerator pedal and they’ll nominate the first iconic CE-1 Chorus Ensemble band of 1976. Therefore, it’s a tricky move for Boss to combine these two classic effects for the latest addition to the advanced Waza Craft series and add some new features to the process.

A very small slide switch opens the key to the CE-2W multifunction. On the left is the default position for the CE-2 flow sound, but if you move it to the center you will get the final CE-1 vortex, and on the right you can use the Full Vibration Mode to accurately pitch. The sound is as realistic as possible thanks to a fully analog circuit complemented by an essential bucket delay IC.

Related: Check out this article I wrote showing you the 5 best chorus pedals for metal

  • Premium all-analog circuitry with bucket-brigade (BBD) delay line
  • Rate and Depth knobs provide fine sound adjustment in both pedal modes
  • Special edition Waza Craft pedal delivers the ultimate BOSS tone experience

3. MXR analog chorus M234

This pedal sits between a minimalist micro chorus and a larger stereo chorus type. It combines pedal-friendly compactness and 5-pole control. Bucket Brigade analog technology combines speed and depth controls to create a variety of familiar, stunning chorus tones.

But the other three pens do the trick. Two EQ poles set the tone of the zone, and flat poles add as many beats as you like, from slight changes in tone to full ensemble sound. It comes with practical tone control, great BBD shades and access to four screw batteries.

  • All-analog bucket-brigade circuitry
  • Create classically lush, liquid textures
  • Ultimate tone control
  • Model Number: M234

4. TC Electronic Corona Chorus Pedal

This is most versatile compact chorus pedal on the market.

Corona offers standard driving effects inspired by the TC Stereo Chorus Flanger, three Choruses, a variation of the standard chorus that uses three stereo cores with different offsets for driving depth, speed, duration and delay time. Do it. You can create what the TC describes.

As a unique, very spacious and lively pedal, the main difference from competitors is the company’s TonePrint feature. You can get new audio, modified pedal installations via the phone app or USB connection and save them to a special memory location on a card called TonePrint. This is the position of the three-position pedal. This makes Corona a very versatile and almost endless update. It has TonePrint capability, is versatile, and is not suitable for plug and play.

5. Electro-Harmonics Neo Clone Pedal

This pedal is Kurt Cobain’s first choice.

It has a true sound, low price, and compact design, but little multitasking. Thanks to Kurt Cobain’s support, Clone Bach Choir has long been one of the most popular EHX stomp boxes. The Neo Clone uses the same basic circuitry as the Clone Bach, and EHX says the electronics are “massaged and tuned to increase accuracy and achieve superior audio performance.”

Some EHX devices have a reputation for being very powerful sound generators, but they can create subtle nuances. Setting the speed at 10 o’clock along with the depth of light will help all pure tones. It doesn’t matter because it’s too close to the original Clone Bach, and above all, it should fit snugly over your existing pedal board.

Another Option You May Want to Consider

Walrus Audio Julia V2

This is a versatile multi-analog drive/vibrato, and Julia’s front panel offers a sophisticated pedal, but relatively simple. The shuffle button lets you move from chorus to vibrato range, and the waveform control is as intuitive as you like.

The biggest difficulty is dealing with delays. Delay controls the LFO center delay time, so it can be used to create a more unusual sound. Julia sounds great, because everything is analog, but a bit noisy. It’s still a small price to pay for a great vintage hue.

There are standard analog shades, vibrato used and corrugated knots for greater flexibility. It’s a bit noisy.

  • Power supply not included. Exact size of the diecast enclosure is 4.77” x 2.9” x 2.3”. Power requirements are 9VDC (30mA minimum).
  • RATE – The Rate knob allows you to set the speed at which the LFO sweeps. From little to no movement at lower settings, to wild wackiness at max.
  • DEPTH – The Depth knob allows you to change the amplitude of the LFO. From no movement to deep sweeping modulation.
  • LAG – The Lag knob lets you set the center delay time that the LFO modulates around. From smooth tight modulation at lower settings, to noisy nauseating detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape.
  • WAVE SWITCH – The Wave switch lets you select either sine or triangle LFO waveforms. The sharper corners of the triangle wave generally sound more appealing for chorus type effects, and the more round shape of the sine wave generally sound better with vibrato type effects.


For budget campaigns, you can’t go wrong with the Electro-Harmonix Nano clone.

Hearing well, recording well, and nailing as Kurt Cobain hears.

Of course there are few bells and whistles, but if the guitarist can show less then it’s probably Kurt.

At the other end of the scale and budget is the Boss MD-500, which will handle all your modulation needs forever.

If you don’t need all the roads, the Boss DC-2W is the best.

To solve the original’s volume and noise problems, this is probably the best stereo chorus ever made.

It’s sweeter just by the fact that it includes SDD-320 rack emulation.

Also this article here shows you the 5 best chorus pedals for distortion