5 Best Chorus Pedals for Synthesizers in 2020
Hey, This site is reader-supported and we earn commissions if you purchase products from retailers after clicking on a link from our site.
If you are looking for the Best Chorus Pedals for Synthesizers, then you should read this article to the end.
While the majority of reverberation pedals were originally structured for guitars, many keyboards utilize them to broaden the instrument’s sound abilities.
You can utilize effects like Reverb, Overdrive, Distortion, Chorus, Delay, and Phaser with your electric or analog synth.
They can inspire you to create new sounds.
Related: Here is an article I wrote showing you the best chorus pedals in the market today
Check out this table I created showing you the 5 chorus pedals and their features.
Why Use Reverb Pedals with Synthesizers
Standard analog synth designs do not come with effects, and even the most contemporary synth that come with the feature merely have the most rudimentary effects.
This is good because it’s not a synth, but it’s hard to imagine an analog synth pack that would come with an integrated full analog delay in a compressed pack.
The old synthesizer had a spring sound, but it was huge, heavy and very expensive.
The best modern synthesizers have built-in digital effects that are rated by users.
But for now, there’s nothing better than the sound range and multitasking you can get from a standalone drive module connected to a keyboard.
The first compact drive pedals were developed for guitars, but the keyboard played an important role from the start.
Keyboards today rely on guitar pedals!
Experimenting with different keyboard pedals can bring fresh ideas, sounds and much more fun in your studio.
Another great thing about using accelerators is that even if you have a cheap and boring keyboard, you can almost magically generate fresh and interesting sounds.
Because the effect of Leslie’s rotating speaker always retains the preferred effect on guitars and keyboards, Electro-Harmonix has developed a new pedal that perfectly reproduces Leslie’s sound and can be utilized with guitar and keyboards.
Another type of effect that has been widely used on keyboards since the 60s is delay and reverberation effect.
One of the best examples is Richard Wright who integrates a delay pad over his keyboard.
Extending the sound of a synth with an effect pedal can be full of fun, but it can also be a bit tricky.
Most of these are primarily intended for use with electric guitars, so clipping can occur when passing line levels through some pedals.
Using a synthesizer with stereo output will give you even less choice.
The stereo arm input is not a particularly standard feature.
However, there are certainly a few good alternatives, and here are some classic combinations and their own suggestions.
Related: Check out this article I wrote showing you the 5 best chorus pedals for Rhodes
Where Should the Accelerator Pedal be Placed? On the Floor or Next to the Keyboard?
There is no limit to what you can do by connecting your keyboard to multiple accelerators!
The only thing to remember when playing live is if you are using the floor effect as a guitar, board style, or sitting on a keyboard.
If you use the volume or wow pedal, you will of course put it on the floor.
Even if you don’t plan to change it live when using the effect.
You can click the effect to turn it on or off and leave it on the floor.
Many professionals use synthesizers with accelerator pedals for live performances.
But one of the coolest things about using guitar effects with your keyboard is that you can customize them as part of your performance while playing!
If you have a good set of effects to use with your synthesizer, depending on your plan of use, you can find some on the floor and some near the keyboard.
We’ve provided you with 5 of the best stomp boxes to use with your keyboard or synthesizer.
It doesn’t matter whether you use a good analog synthesizer or an inexpensive home keyboard, these pedals can help expand your sound palette and create new sounds and music!
5 Best Chorus Pedals for Synthesizers
1. ProCo 2 Rat Pedal
This Proco Rat pedal is a distortion/fuzz/overdrive pedal that provides some bass and power to the bass and lead sounds, especially on analog synthesizers.
With the filter control you can get rid of unwanted quality sizzling and get a very affordable beef.
Old school Acid House music fans will recognize this pedal, which is commonly found at the end of the Roland TB-303 bass synthesizer/sequence, which pushes the squeeze lead sound to the limit of the screaming sound.
This pedal is also widely used for industrial rock. a la Nine Inch Nails. “.
Unfortunately this is only mono, so you have to reset or delay the audio to stereo.
2. Digitech Polar La
There are several epic sound recovery pedals that include a synthesizer, Eventide Space and Strymon Big Sky.
Two incredibly powerful devices that are very common, but because of their price, they are sometimes cheaper for many musicians.
In our opinion, Digitech Polara is underestimated.
There are seven pre-contrast algorithms, including a blinking effect called a halo that shifts the octave’s tail into perfect sound.
Trust me. Sounds like a banana in a synthesizer.
Polara also includes stereo I/O in a compact package powered by a standard 9V power supply.
3. Boss RE-20 Space Echo
Some of us are lucky enough to have real gang cows and the price of the original Roland RE-201 is rubbed, foggy and difficult to maintain.
Fortunately, in 2007, Roland/Boss released the RE-20, a digital simulation of the famous vintage device, which has become a classic for synthesizers and manufacturers in particular.
It has a warm, full-band delay, a simple, self-vibrating recovery, and very precise and accurate pitch movement.
It’s great for voice overviews and everything else.
4. Strymon Ola Chorus/Vibrato
There are very few stereo choirs right now, but fortunately there are quite a few good ones.
Strymon is known for using state-of-the-art DSP processing power and wrapping it in a traditional pedal to create high-quality vintage effects.
Ola is no exception.
The A/D converter operates at 24-bit 96 kHz for ultra-high definition audio that is indistinguishable from real analog power.
Single and multi-mode add very rich amplitude to the sound through a variety of options and of course stereo I/O.
Strymon equipment is actually quite expensive, as a more economical alternative, check out the Digitech Nautila, which has some unique features.
5. Electro Harmonix SuperEgo + Synth / Multi Chorus
It’s hard to describe in words what these cool pedals do: a stop part, a multi-choke part, some synthesizer pedals, and many other pedals.
But one thing is for sure.
It’s really fun. If you are interested in creating soundscapes and surrounding music, this pedal is your best helper.
However, there are many things you can do with this device.
This is far from being traditional and infinitely creative.
Also here is this article on the 5 best chorus pedals for 80’s sound.