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Reggae music is best heard pumped through a heavy-duty PA sound system.
But for the recording studio you need smaller professional-grade speakers that let you mix the bass with accuracy, without losing the characteristic “thump” you want to hear on a reggae track.
There’s a risk of over-mixing the bass on smaller speakers, so you should consider larger studio monitors to achieve an accurate sound.
You’re looking for studio monitors with powerful amplifiers that produce full, rounded bass output.
Here’s our pick of the five best studio monitors to take your reggae music production to the next level.
Our Winner After Careful Research
Best Studio Monitors for Reggae - Comparison Table
Fluid Audio FX8 Monitors
KRK V8 Series 4 Monitors
Focal Alpha 80 Monitors
5 Best Studio Monitors for Reggae
1. Fluid Audio FX8 Monitors
Fluid Audio was founded by an American loudspeaker engineer and has come up with a coaxial design for its 130W bi- amplifier to make an 8” speaker that isn’t as tall as its competitors.
That solves the dilemma caused when placing larger monitors on their side, throwing off the off-axis response.
All frequencies radiate from the same point on the FX8, creating a more consistent sound.
The monitor features volume control and a bass reflex port on the front of the speaker.
The FX8 design produces clear sound at high frequencies, and well-defined bass even at the maximum volume.
Full-volume bass can tend to become muddy but not on the FX8, making it well-suited to the sounds of reggae.
What we like: The monitor puts out consistent sound across the frequency spectrum.
What we don’t like: The FX8 lacks digital signal processing (DSP) settings and frequency-trimming controls.
2. KRK V8 Series 4 Monitors
KRK studio monitors are used by professional sound engineers to create award-winning music.
The American company continues its tradition of producing professional-grade kit with its V8 model.
The two amplifiers with a combined power of 230MW blend naturally to create smooth mid-range sound, clean highs and tightly-controlled lows.
The sound is easy to judge, making for mixes that translate well.
You can work with the monitors for hours in the studio without experiencing listener fatigue.
Solid aluminium at the front of the speaker and foam padding offer built-in stabilization.
There are 49 pre-programmed DSP settings to adapt the monitors to your studio environment and desk setup.
Add a KRK subwoofer to seamlessly extend the frequency range at the low end.
What we like: The smooth, natural sound produced at a quality used by professional recording studios.
What we don’t like: The cabinet is rather large and heavy but the switches are fragile.
3. Alesis M1 Active MK3 Monitors
If you haven’t got the space for a larger speaker, Alesis has got you covered.
The American company was founded on innovative semiconductor technology that makes its studio monitors punch above their weight in the music production scene.
The M1 Active MK3 puts out an impressive amount of bass for its size and price.
The monitor has front-firing ports that are optimised for extended response at low frequencies, as it has a wide response across the full frequency spectrum.
The M1 monitor has a good track record for mixing thanks to its accurate sound production.
A computer-optimized wave guide produces well-balanced output with a detailed mid-range that you’ll find isn’t harsh.
What we like: The monitor produces professional-quality sound at an affordable price for home studios.
What we don’t like: The monitor can be bass-heavy, creating a muddy sound in the mid-range.
4. Focal Alpha 80 Monitors
French company Focal started out making car speakers, but today it boasts a well-respected line of studio monitors.
The mid-range Alpha 80 monitor is well-suited to music like reggae that requires high power to serve up rich and detailed bass at high volumes.
It will pick up on imperfections in mixes made with other monitors.
The 140MW bi-amplifier boasts a powerful low-end response, so much so that you won’t need a subwoofer.
Mixes from the Alpha 80 translate well to other sound systems, with the high and mid-range frequencies sounding clear and balanced.
The monitor features an aluminium amplifier, which can sound harsh at high frequencies, but not this one.
What we like: The low-end response is good enough to make a subwoofer redundant.
What we don’t like: There is no volume control on the monitor.
5. Samson Resolv SE8 Monitors
American wireless microphone manufacturer Samson has established itself in the studio monitor market with an offering aimed at a mid-sized recording space.
The 100W Resolv SE8 bi-amplifier produces high-quality output at both ends of the frequency range.
The monitor delivers sound in the high frequencies with low resonance.
It features four high-frequency settings to adapt the sound to the studio room, but there are no settings to adjust the lower frequencies.
The monitor puts out volume loud enough to get that thump you want for reggae music, but keeps the bass tight and controlled.
The Resolv SE8 is a large, heavy unit so you’ll want to mount it on a stand rather than have it take up all the space on your desk.
What we like: The monitor produces clear and detailed sound that holds up well against higher-priced options.
What we don’t like: The off-axis dispersion is relatively limited, so you’ll need to position the monitor straight on to hear the bass at its best as there are no settings for low-frequency adjustment.
The Fluid Audio FX8 produces well-defined bass sounds at high volumes, giving you the detail you need to produce quality reggae tracks.
The Focal Alpha 80 is a popular mid-range choice for producing accurate mixes, and is so powerful you won’t need to add a sub-woofer to your setup to give you enough bass.
If it’s volume you’re after, you can crank up the Samson Resolv SE8 loud.
The KRK V8 Series 4 is favored among professional studio engineers to create mixes that translate well to other sound systems, while at the more affordable end of the price range the compact Alesis M1 Active MK3 is popular for smaller recording spaces.